[attr="class","underrevimg"]

[attr="class","underrevlyric"]LEAVE US ALONE, PLEASE, THIS IS OUR JUNGLE

[attr="class","underrevleft"]AGE seventeen

[attr="class","underrevleft"]GENDER male

[attr="class","underrevleft"]FACTION house alder

[attr="class","underrevleft"]JOB main house

[attr="class","underrevleft"]MUSE SONG district 9, skz

[attr="class","underrevtop"]ARTEMIS ALDER

[attr="class","underrevtop2"]

[attr="class","underrevblurb"]



Queensrÿche Guitarists Chris DeGarmo and Michael Wilton formed Queensrÿche in 1981 in the Seattle, Washington, suburb of Bellevue. Both guitarists had been playing in heavy metal cover bands and had decided to form a group that would play original material. The duo recruited high school friends Geoff Tate (vocals) and bassist Eddie Jackson (bass), as well as drummer Scott Rockenfield. Instead of hitting the club circuit, the group rehearsed for two years, eventually recording and releasing a four-song demo tape. The cassette came to the attention of local record store owners Kim and Diana Harris, who offered to manage Queensrÿche. With the help of the Harrises, the tape circulated throughout the Northwest. In May of 1983, Queensrÿche released the EP Queen of the Reich on their own record label, 206 Records. Queen of the Reich sold 20,000 copies and, in the process, earned the band major-label attention. By the end of the year, the band signed to EMI, which released an expanded version of the EP as the Queensrÿche LP later in the year; the record peaked at number 81.[break][break]

At this stage, Queensrÿche sounded closer to British metal bands like Iron Maiden and Judas Priest. Over the next few years, the group continued to refine its sound, opening for hard rock acts as diverse as Bon Jovi and Metallica. Their next two albums -- 1984's The Warning and 1986's Rage for Order -- sold respectably, with the latter reaching number 47 on the U.S. charts. Rage for Order also demonstrated a flowering of progressive rock influences, an idea that would reach its fruition with 1988's Operation: Mindcrime. Boasting orchestral arrangements from Michael Kamen, the album was Queensrÿche's most ambitious and focused effort to date, earning both positive reviews and strong sales. Operation: Mindcrime stayed on the American charts for a year, selling over a million copies during its run.

wanted plots
[break]open to everything and anything ! <3

[attr="class","underrevimg"]

[attr="class","underrevlyric"]I'LL CLOSE MY EYES, AND YOU'LL SHOOT

[attr="class","underrevleft"]AGE in letters

[attr="class","underrevleft"]PRONOUNS list 'em

[attr="class","underrevleft"]ORIENT. -sexual

[attr="class","underrevleft"]JOB here, i guess

[attr="class","underrevleft"]SOMETHING be short

[attr="class","underrevline"]

[attr="class","underrevtop"]SISTER MARY

[attr="class","underrevtop2"]

[attr="class","underrevblurb"]



Queensrÿche returned in the fall of 1990 with the equally ambitious Empire. The album proved to be their commercial high-water mark, peaking at number seven on the U.S. charts and going double platinum in America; in the U.K., the album also cracked the Top Ten. Empire's success was instigated by the stately art rock ballad "Silent Lucidity," which received heavy airplay from MTV and album rock radio. All the exposure eventually sent "Silent Lucidity" to number five on the U.S. singles charts. Following the long Empire tour -- which included a spot on the 1991 Monsters of Rock tour -- Queensrÿche released the live Operation: LIVEcrime in the fall of 1991. Recorded on the Operation: Mindcrime tour, the album replicated the group's live performance of the rock opera that comprised their 1988 artistic breakthrough; the package also included a video and a thick book.[break][break]

In the three years following the release of Operation: LIVEcrime, the band rested and leisurely worked on the follow-up to Empire. Occasionally, they contributed a song to a soundtrack, such as "Real World" for Arnold Schwarzenegger's 1993 movie Last Action Hero. Queensrÿche finally delivered their sixth studio album, Promised Land, in 1994. Though the heavy metal audience had changed drastically since Empire, with many fair-weather metal fans switching their allegiance to grunge and alternative rock, the group retained a strong following, as evidenced by Promised Land debuting at number three on the U.S. charts. Promised Land would eventually go platinum and spawn two album rock hits, "I Am I" and "Bridge."

PREFERRED FACE CLAIMS
[break]CHARACTER FROM SERIES
[break]CHARACTER FROM SERIES